Juin 2014 Berlin : Electroacoustic Music Studies Network Conference

Télécharger tous les résumés de la conférence : PDF file

decorative dots EMS14 decorative dots

10 – 14 June 2014 | Berlin | Germany

Universität der Künste Berlin, Masterstudiengang Sound Studies
in cooperation with Technische Universität Berlin, Fachgebiet Audiokommunikatio,
and Freie Universität Berlin


Thank you all for a great ems14 conference with a high level on input and discussions. We now ask you to send your paper in the provided template for publishing the proceedings.


Welcome decorative dots

“The EMS Network has been organised to fill an important gap in terms of electroacoustic music, namely focusing on the better understanding of the various manifestations of electroacoustic music. Areas related to the study of electroacoustic music range from the musicological to more interdisciplinary approaches, from studies concerning the impact of technology on musical creativity to the investigation of the ubiquitous nature of electroacoustic sounds today. The choice of the word, ‘network’ is of fundamental importance as one of our goals is to make relevant initiatives more widely available.” (http://www.ems-network.org)

Conference committees decorative dots

Conference Committee

Fabian Czolbe (Berlin)
Julia H. Schröder (FU Berlin)
Volker Straebel (TU Berlin)
Martin Supper (UdK Berlin)
Marc Battier (MINT-OMF, Université de Paris-Sorbonne, France)
Leigh Landy (MTI, De Montfort University, UK)
Daniel Teruggi (INA/GRM, France)

Steering Committee
Marc Battier
Leigh Landy
Daniel Teruggi

Organizing Committee
Fabian Czolbe (Berlin)
Julia H. Schröder (FU Berlin)
Volker Straebel (TU Berlin)
Martin Supper (UdK Berlin)

Contact us 



Conference location decorative dots

The EMS 14 conference is located in Universität der Künste Berlin (Berlin University of the Arts)

Einsteinufer 43-53

10587 Berlin


Friday 13 June

Session 18 – chair: Simon Atkinson


FrédéricDufeu / AlainBonardi Analysing the Creative Process through a Modelling of Tools and Methods for Composition in Hans Tutschku’s Entwurzel


PierreCouprie / Mikhail Malt Representation: From Acoustics to Musical Analysis



Bruno Bossis/ LaurentPottier A Method For the Analysis of the Relation Between Symbolic Notation and Electroacoustic Textures In Hans Tutschku’s Entwurzelt